WBL: Exploring Cloth Crete and Flexible Spaces in the Restoration Of Old Portsmouth Dockyard

Exploring Cloth Crete and Flexible Spaces in the Restoration Of Old Portsmouth Dockyard 

The day is finally here. Our completed product is prepared. the conclusion of an exquisite historical excursion. navigating our way through the historic buildings. We happily open the doors to our creative space to our cherished art aficionados and display our complete body of work. We are very happy and thrilled to be able to share with you the results of our passion, commitment, and unrelenting creativity. Our portfolio is centred on a celebration of the various artistic achievements that have taken place inside our studio.

This article presents the architectural project of 'aakri kada' , a group formed by four individuals from diverse construction and mechanical backgrounds. Aakri kada, meaning an antique store, was chosen as the group's name to symbolise the significance of the collabration and the historical materials utilised in the construction of the Old Portsmouth Dockyard. Under the guidance of Dr. Suzanne Fallouh and our client Ar. Deniz Beck, the team embarked on a design journey inspired by the sail of ships and lime plaster, esulting in the innovative incorporation of the cloth-crete as a partitioning, display and furniture material. 

Site Analysisi and Concept Development:

                                                                                                    fig:1 Sun Direction

Data Collection:

                                        

Fig:2 Material and Lighting                                                            Fig:3 Anthropometry

                                                                    Fig:4 Mood Board

Due to the proximity of numerous cafe's and restaurants surrounding the dockyard, the design team decided against incorporating a cafetria within the 'Aakri Kada' project. Additionally, public restrooms located within 30 meter radius from the dockyard provide ample facilities for visitors. To preserve the integrity of the ancient structure, clip-on lighting fixtures were selected to minimize damage. Furthermore, the entire design is built around flexibility, convertibility and fastening capabilities, allowing for easy removal and adjustments as necessary.

                                                                fig:5 Detailed drawing

                                                                   fig:6 Plan

fig:7 Section

Below is the link to check out the walk-through of the artistic studio storehouse 9:

https://drive.google.com/file/d/1DzdZ02b69F4jr_zMGwrOwT_7LAhyluNG/view

Below shown are some of the Final Design Rendered images

                    

By carefully studying the ancient structure, incorporating lime as a natural and sustainable material, and utilizing fabric for structural purposes, we designed a space that showcased the existing beauty while minimizing interventions. Our commitment to sustainability ensures that the design stands the test of time and contributes positively to the environment. As we move forward, we remain dedicated to creating innovative and eco-friendly designs that preserve the past while embracing the future.

A lot of chances in art and design were explored during the last few months, which was a lovely experience. I am extremely grateful to my tutor Dr. Suzanne Fallouh, our client Ar. Deniz Beck, and our team members Ar. Sharath, Calvina, and Joseph for all of their support and guidance in helping me finish my project. I am also extremely grateful to them for the wonderful memories we made while learning and experimenting with our design. Working as a team with you guys was an absolute delight.